All dressed up, nowhere to go. Meryl Streep slips back into Miranda Priestly with effortless magnetism, but The Devil Wears Prada 2 squanders a genuinely intriguing journalism premise on a melodramatic third act that feels more like fan fiction than a worthy sequel.

Too many power-ups, not enough story. Illumination's latest is more merchandise than movie: a forgettable corporate exercise that squanders its characters, its budget, and any semblance of creative vision.

A crowd-pleaser to be hailed Despite the success of Andy Weir's novel “ The Martian” on the big screen with the Ridley Scott and Matt Damon film of the same name, it has taken more than a decade for another of Weir's novels to be adapted. This one, again featuring a solitary and witty astronaut in space, is the crowd-pleaser Project Hail Mary (2026). Project Hail Mary opens on Ryland Grace (Ryan Gosling), a man waking up from a coma with memory loss, who finds himself th

Almodovar Turns the Camera on Himself yet Again Pedro Almodovar has an incredibly distinct style, in both his narrative tone, which plays with the melodramatic, as well as with his visuals and sets, which are vibrant and alluring. While the Spaniard has been making films for over four decades with this consistent signature style, he’s undergone several evolutions. He started as part of the “Movida Madrileña” cultural movement, with an extroversion of the artistic and social f